Jan Klare Collage

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it´s complicated

too many rules, if you want to do things officiallly…..

this is what I want to blog today.

Review…Bambostic – RKeT by Ken Waxman

Er findet es „populist“, aber trotzdem irgendwie gut… wie geht das zusammen?… lesen Sie selbst meine Damen und Herren!

Ken Waxman in „jazzword“

recommended new releases 2017

Andrey Henkin, Editorial Director des NYC Jazz Record Magazin:

Bambostic—DJ’s Nightmare (JazzHausMusik)

• Eraldo Bernocchi—Rosebud (RareNoise)
• Agustí Fernández/Artur Majewski/Rafał Mazur—Spontaneous Soundscapes (Not Two)
• Hashima—The Haywain (Metropolis)
• Gregory Lewis—Organ Monk Blue (s/r)
• Wes Montgomery—In Paris: The Definitive ORTF Recording (Resonance)
• Gard Nilssen’s Acoustic Unity—Live in Europe (Clean Feed)
• Jim Self/John Chiodini Duo— Floating in Winter (Basset Hound)
• Spinifex—Amphibian Ardour (Trytone)
• Mars Williams—An Ayler Xmas (Soul What)

Robert D. Rusch im Cadence Jazz Magazine über Bambostic

„In the January 2016 Papatamus,  saxman JAN KLARE got my attention as a member of the sax quartet Deep Schrott. Now, once more, he grabs my attention as the leader of the quartet [Kai Weiner-org, Alexander Morsey-b, Michael Griener-drm] BAMBOSTIC and here they pay tribute to Earl Bostic on DJ’S NIGHTMARE [JazzHausMusic jhm 252]. The 10 Bostic originals plus “Where Or When” [49:24] are tongue-in-cheek updates, with ruckus and humor. There is no doubt Klare knows his way around a sax (alto sax in this case) and that he respects Bostic. Refreshing and fun.“

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